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  • Hitchcock's 'Vertigo': A Study on Human Connection

    Joseph Calabrese - Oct 12, 2026
  • The Good Itch: Ancient Tragedy and Modern Cinema

    Zosia Collins - Oct 12, 2026
  • A Different Lens

    Khoa Nguyen - Oct 12, 2026
  • Presenting Shakespearean Absurdity to a Modern Audience

    Pamella Parker - Oct 12, 2026
  • True Femininity in Cinderella

    Keira Thomas - Oct 12, 2026
  • Filmic Poetry: Where Orson Welles Builds on the Text of Macbeth

    Charles Wilcoxon - Oct 12, 2026
  • The Arena Summer Book List

    From your Editors - Jul 4, 2026
  • Courting Scarlett O’Hara: On Nostalgia, America, and Conservative Love

    Zosia Collins - Jul 4, 2026
  • Where Have We Gone Wrong With the Electoral College?

    Charles Wilcoxon - Jul 4, 2026
  • Enlightened Protestantism: How Christians Justified the American Revolution

    Charles Miller - Jul 4, 2026
  • The Arena Summer Movie List

    From your Editors - Jul 4, 2026
  • American Poetry Compilation

    From Your Editors - Jul 4, 2026
  • 'Brideshead Revisited' and Redemption in Times of Despair

    Keira Thomas - Apr 27, 2026
  • Should We Fear ‘Epistocracy’ Any Less Than Democracy?

    Bridget Noonan - Apr 27, 2026
  • Crime and Rehabilitation Through Suffering

    Charles Miller - Apr 26, 2026
  • Lamentation

    Gianna DeBono - Apr 26, 2026
  • The Snow Pile

    William Thissell - Apr 26, 2026
  • Defining and Encouraging Artistry

    The Journal's Arena, Part One
    Charles Wilcoxon - Apr 23, 2026
  • Disturbed by Joy: Artistry as Divine Translation

    The Journal's Arena, Part Two
    Zosia Collins - Apr 22, 2026
  • An Apology Owed: How Dostoyevsky Reminds Us That We Need Plato More Than Ever

    Zosia Collins - Apr 9, 2026

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