American Poetry Compilation
From Your Editors
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“The New Colossus” – Emma Lazarus
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.”
Famous for its position of honor on the Statue of Liberty, this poem masterfully blends ancient references—the Colossus of Rhodes—with the American dream. Where the Colossus of Rhodes was a testament to military might and economic prowess, the “New Colossus” was a mark of compassion and hope for those that sought refuge in our country. The poem portrays our nation’s foundation in welcoming the poor and humble with a promise of prosperity.
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“O Captain! My Captain!” – Walt Whitman
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
Although this poem takes the center stage in the famous final scene of Dead Poet’s Society, this is much more than a salute to an esteemed leader. Whitman’s famous piece about the assasination of Abraham Lincoln juxtaposes the victories of our nation with the tragedies that accompany them, conveying the bittersweet flavor of America.
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“Chicago” – Carl Sandburg
Come and show me another city with lifted head singing so proud to be alive and coarse and
strong and cunning.
Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid
against the little soft cities;
Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness.
In the same way that Whitman displays two contrasting facets of the American soul, Carl Sandburg offers a two-sided America: brutal, bold, and fearless; and yet young, ignorant, and untested. His poem reminds us that America may be powerful, but its existence and success are ever-tenuous.
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“Paul Revere’s Ride” – Henry Wadsworth Longfellow
Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.
This historical poem takes the form of a children’s story; each moment in the drama preceding the shot heard ’round the world is illuminated as the reader gets a real sense of Paul Revere’s night of glory. Longfellow showcases the American storytelling tradition as well as a key moment in our nation’s history.
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“When the Frost is on the Punkin” – James Whitcomb Riley
But the air’s so appetizin’; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur’ that no painter has the colorin’ to mock—
When the frost is on the punkin and the fodder’s in the shock.
This poem may be lesser-known, but it is a true delight. Best read aloud, a bouncing and catchy rhythm graces scenes of American farm life that vary from bustling to serene. Whitcomb’s use of rural American dialect is also particularly noteworthy and adds an air of authenticity to the lines.
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“The Gift Outright” – Robert Frost
Such as we were we gave ourselves outright
(The deed of gift was many deeds of war)
To the land vaguely realizing westward,
But still unstoried, artless, unenhanced,
Such as she was, such as she would become.
This poem explores the relationship between settlers and the earth, positing that our nation was not able to achieve greatness until its inhabitants “gave [themselves] outright” to the land, turning from its owners into a people owned by it.
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“Harlem” – Langston Hughes
“What happens to a dream deferred?”
While one might read this opening line and assume that the question is a purely philosophical one, it is really a pressing civic dilemma. Upon Hughes’ writing, wounds of slavery had festered within the nation; the poem expresses the decay and hardening of relations between races in our country. The hanging question at the end of the poem— “does it explode?” —creates a menacing sense of impending conflict. The lack of idealized American scenes and ideals is fitting for this portrayal of a darker, but still central, part of our history.
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“The Raven” – Edgar Allen Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Thus begin some of the most iconic and immediately recognizable verses of the American canon (as UVA students, we could never pardon ourselves if we didn’t include at least one Poe poem on this list). These grief-ridden, beautiful lines build in intensity as the speaker spirals into delusion.
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“If” – Rudyard Kipling
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
Kipling may not be an American poet, but this rousing poem speaks directly to the American spirit of resilience, tenacity, and grit. In a few stanzas, he sums up the Western “ideal man,” the benchmark for Americans generation after generation.
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“ ‘Hope’ is the thing with feathers” – Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And what could be more fitting than to conclude with this most central of American virtues: hope? Darknesses are ever-looming upon our nation, but Dickinson reminds us of the light which beams upon us all the while.